{"id":24600,"date":"2021-09-30T21:57:25","date_gmt":"2021-09-30T11:57:25","guid":{"rendered":"https:\/\/aiya.org.au\/?p=24600"},"modified":"2021-10-01T13:48:07","modified_gmt":"2021-10-01T03:48:07","slug":"happy-batik-day-a-worldwide-celebration-of-indonesias-cultural-heritage","status":"publish","type":"post","link":"https:\/\/aiya.org.au\/id\/2021\/09\/30\/happy-batik-day-a-worldwide-celebration-of-indonesias-cultural-heritage\/","title":{"rendered":"Happy Batik Day: a worldwide celebration of Indonesia\u2019s cultural heritage"},"content":{"rendered":"\n<p><em>Written by Lotte Troost &#8211; AIYA National Blog Editor<\/em><\/p>\n\n\n\n<p><em>Translated by Thomas Shears &#8211; AIYA National Translator. Indonesian version click <a href=\"https:\/\/aiya.org.au\/2021\/09\/30\/selamat-hari-batik-sebuah-perayaan-warisan-budaya-indonesia-yang-mendunia\/\">here.<\/a><\/em><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>In addition to being the first Saturday of the month, the 2<sup>nd<\/sup> of October 2021 marks the 11<sup>th<\/sup> annual celebration of batik, an ancient tradition from Indonesia.<\/p>\n\n\n\n<p>Twelve years ago, on the 2<sup>nd<\/sup> of October 2009, UNESCO designated batik as a Masterpiece of the Oral and Intangible Heritage of Humanity. Since then, the 2<sup>nd<\/sup> of October has been declared as Hari Batik Nasional (National Batik Day) to commemorate this enactment and to pay extra attention to one of Indonesia\u2019s most renowned brand marks.<\/p>\n\n\n\n<p>Batik is often used as a generic term to refer to the wax-resist dyeing technique that is applied to cotton and silk or to refer to the craftwork created using this technique. The word batik is derived from the Javanese words <em>mbat<\/em> (throwing) and <em>tik<\/em> (dot), and thus denotes both a verb and a noun.<\/p>\n\n\n\n<p>Batik is a time-consuming and labour intensive technique that might take up to a year to complete, especially for written batik (<em>batik tulis<\/em>). Furthermore, batik has a deep philosophical significance, with different motifs and colours carrying various religious and cultural symbolism.<\/p>\n\n\n\n<p>Craftwork that is so rich in symbolism, historical value, and beautiful patterns and colours doesn\u2019t go unnoticed outside Indonesia. Batik is one of the most popular souvenirs to bring home to keep the memory of Indonesia. If there\u2019s one Indonesian word that you\u2019ll remember from your visit to cities like Yogyakarta, Solo and Cirebon, it\u2019ll be \u2018batik\u2019.<\/p>\n\n\n\n<p>In terms of economics, batik also plays an important role. According to the Indonesian Ministry of Foreign Affairs, batik exports even<a href=\"https:\/\/kemlu.go.id\/jeddah\/en\/news\/10336\/indonesian-batik-exports-increased-during-the-pandemic#!\"> increased<\/a> during the pandemic, with Japan, the United States and Europe being the top importers. In line with the Indonesian government\u2019s aim to increase worldwide recognition of batik, the Foreign Ministry has<a href=\"https:\/\/en.antaranews.com\/news\/155334\/foreign-ministry-to-incorporate-batik-subject-in-diplomatic-education\"> endeavoured<\/a> to strengthen Indonesian batik diplomacy abroad. Besides, during his<a href=\"https:\/\/en.antaranews.com\/news\/133960\/jokowi-pushes-aggressive-batik-preservation-message-to-indonesians\"> speech<\/a> on Batik Day 2019, President Jokowi encouraged Indonesians to commit to the preservation and development of batik as an element of the country\u2019s culture.<\/p>\n\n\n\n<p>Focusing on the Indonesians who live outside their country, how well-known is batik in their area? And what role does batik play in their lives abroad? Let\u2019s take a look around the world!<\/p>\n\n\n\n<p><strong>The United States<\/strong><\/p>\n\n\n\n<p>Anggi Auliyani Suharja is a Fulbright Indonesian Instructor at Columbia University, New York. Anggi is not an unfamiliar face: she served as AIYA Jawa Barat\u2019s vice president external until November 2020.<\/p>\n\n\n\n<p>Despite the fact that Anggi has only recently moved to New York, her agenda is already packed with lectures and extracurricular activities. Therefore, she hasn\u2019t found the time yet to explore the city and look for some batik stores. But finding local batik stores may not be urgent, since Anggi brought many batik items with her on her journey to the United States.<\/p>\n\n\n\n<p>\u201cI brought the clothes for my students, so they can try it and become familiar with an aspect of the Indonesian culture. In the week of National Batik Day, I\u2019ll encourage them to wear batik,\u201d Anggi said.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/lh4.googleusercontent.com\/K00ccGp8mtG_hiNwY1An4WGCDom3eWUMehLTZuZNgkcrkVwDcT9lbykOg7O5S6ReceKi6ohk6FkakUYx0mrpZer_43bUXgkZMk7ip4s4_3yM7I5TlVRlfsXaAo115Tdf4XWfZNtz=s0\" alt=\"\"\/><\/figure>\n\n\n\n<p><em>Anggi wearing a batik blouse that she bought in her hometown Bandung. Picture was taken before meeting her students on the campus of Columbia University, New York.<\/em><\/p>\n\n\n\n<p>Anggi not only enjoys introducing her students to batik, she often wears it herself too \u2013 both on special occasions and regular days. \u201cI\u2019m proud to be Indonesian, and I\u2019m even more proud of my country since I moved abroad. At this university, I feel I\u2019m a representative of the Indonesian culture, and batik is an integral part of that,\u201d she added.<\/p>\n\n\n\n<p>Anggi\u2019s favourite batik item is a pink crop top with a colourful leaf pattern. She also brought it with her to New York. \u201cThat batik shirt holds sentimental value. When I first started teaching in Australia, it was a dress. But it was torn during a traditional games workshop, so I recreated it as a shirt so it can continue to be part of my journey,\u201d she explained.<\/p>\n\n\n\n<p><strong>Australia<\/strong><\/p>\n\n\n\n<p>Salmadita, AIYA Jabar\u2019s treasurer and interim president, lives a little closer to Indonesia. In 2020, amid the pandemic, she moved to Melbourne with her parents.<\/p>\n\n\n\n<p>Due to the pandemic and being unable to visit her campus in Indonesia, Salmadita\u2019s graduation ceremony was online. But a laptop screen did not withhold her from dressing up in a <em>kebaya<\/em> (traditional upper garment) and her favourite batik skirt, which she has worn since high school.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/lh4.googleusercontent.com\/IwHKq3XWWr-Xi9sfQ9AtLpOguVITw2xTNVBna0shcAWOYFeysJq6bhu40Dz1ZMEG_qxD0uVq-E9b5HcMVZrkCKo3OdnRraNbK758lNGhdSVoKBc4vhO-HbKUEwll3PtGl_r99AAM=s0\" alt=\"\"\/><\/figure>\n\n\n\n<p><em>Salmadita striking a pose with her favourite batik skirt to virtually celebrate her graduation, Melbourne 2020.<\/em><\/p>\n\n\n\n<p>\u201cBefore moving to Australia, I only wore batik once in a while. If I\u2019d worn it every day, people would have assumed I was attending a formal event, or celebrating a special day,\u201d Salmadita explained. But this changed after Salma moved to Melbourne. \u201cHere in Melbourne, I wear my batik more often and with even more pride. Although I check the weather before selecting my batik: the fabric is thin and soft, so the weather should be good to avoid <em>masuk<\/em> <em>angin <\/em>(Indonesian term for feeling unwell). I wore batik during Indonesian independence day, and I felt the energy from Indonesia!\u201d Salmadita explained.<\/p>\n\n\n\n<p>It depends on the pandemic situation if there will be any events in Melbourne linked to Batik Day 2021, according to Salmadita. But events or not, on the 2<sup>nd<\/sup> of October, she will enter her workplace wearing her batik mask and the batik skirt from her graduation to \u201cexpress her identity as an Indonesian.\u201d<\/p>\n\n\n\n<p><strong>The Netherlands<\/strong><\/p>\n\n\n\n<p>Afrizal Maarif is a master\u2019s student at Wageningen University, majoring in Spatial Planning. In 2019, he left his hometown Surabaya to pursue his studies in the Netherlands.<\/p>\n\n\n\n<p>During springtime in the Netherlands, Rizal likes to wear his long-sleeved batik shirt from Kalimantan. \u201cHowever, my favourite item is the Batik Parang, the sword pattern, which has a simple yet aesthetic design,\u201d he said.<\/p>\n\n\n\n<p>Because Wageningen is one of the most popular universities in the Netherlands among Indonesian students, Rizal frequently sees other Indonesian students wearing batik on campus. \u201cBut sometimes I also see Dutch students wearing batik or carrying a batik-patterned bag, which makes me proud: such a historical and cultural legacy exists until now and has even gone global!\u201d Rizal explained.<\/p>\n\n\n\n<p>In contrast to previous years, Rizal won\u2019t be able to attend any special events dedicated to this year\u2019s National Batik Day since he\u2019ll be in mandatory quarantine upon his return to Indonesia. Despite this, he hopes that batik becomes increasingly well-known across the world, including in research and among academia. \u201cAnd that the production of batik will become more sustainable, both for the craftspeople and for the environment,\u201d Rizal said.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/lh5.googleusercontent.com\/AC6crWI2gmCtXiGn_daPflD4ePgq-1j6FjQ_pjq3VbUeRB8PBi10MJZ0ESAd9KkgIk4m5tt1QzfDm3ywyz-T9qbJn6AaR3eAv_hcwfHFZbIZ74RyV1V-bAxBi4BFef4AK0JahCA_=s0\" alt=\"\"\/><\/figure>\n\n\n\n<p><em>This batik blouse from Pontianak, West Kalimantan, is one of the items that Rizal brought with him to the Netherlands.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Written by Lotte Troost &#8211; AIYA National Blog Editor Translated by Thomas Shears &#8211; AIYA National Translator. Indonesian version click here. In addition to being the first Saturday of the [&hellip;]<\/p>\n<p><a href=\"https:\/\/aiya.org.au\/id\/2021\/09\/30\/happy-batik-day-a-worldwide-celebration-of-indonesias-cultural-heritage\/\" class=\"more-link style1-button\">Read More<\/a><\/p>","protected":false},"author":35,"featured_media":24603,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[508],"tags":[],"class_list":["post-24600","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"id","enabled_languages":["au","id"],"languages":{"au":{"title":true,"content":true,"excerpt":false},"id":{"title":false,"content":false,"excerpt":false}}},"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/aiya.org.au\/id\/wp-json\/wp\/v2\/posts\/24600","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aiya.org.au\/id\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aiya.org.au\/id\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aiya.org.au\/id\/wp-json\/wp\/v2\/users\/35"}],"replies":[{"embeddable":true,"href":"https:\/\/aiya.org.au\/id\/wp-json\/wp\/v2\/comments?post=24600"}],"version-history":[{"count":3,"href":"https:\/\/aiya.org.au\/id\/wp-json\/wp\/v2\/posts\/24600\/revisions"}],"predecessor-version":[{"id":24614,"href":"https:\/\/aiya.org.au\/id\/wp-json\/wp\/v2\/posts\/24600\/revisions\/24614"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aiya.org.au\/id\/wp-json\/wp\/v2\/media\/24603"}],"wp:attachment":[{"href":"https:\/\/aiya.org.au\/id\/wp-json\/wp\/v2\/media?parent=24600"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aiya.org.au\/id\/wp-json\/wp\/v2\/categories?post=24600"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aiya.org.au\/id\/wp-json\/wp\/v2\/tags?post=24600"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}