{"id":29450,"date":"2026-10-06T00:41:56","date_gmt":"2026-10-05T13:41:56","guid":{"rendered":"https:\/\/aiya.org.au\/?p=29450"},"modified":"2026-10-06T00:56:36","modified_gmt":"2026-10-05T13:56:36","slug":"unesco-recognised-wayang-kulit-returns-to-australias-cocos-islands-after-more-than-75-years","status":"publish","type":"post","link":"https:\/\/aiya.org.au\/id\/2026\/10\/06\/unesco-recognised-wayang-kulit-returns-to-australias-cocos-islands-after-more-than-75-years\/","title":{"rendered":"UNESCO-Recognised Wayang Kulit Returns to Australia\u2019s Cocos Islands After More Than 75 Years"},"content":{"rendered":"\n<p><strong>Indonesian master puppeteer Sumardi will bring the UNESCO-inscribed tradition of Wayang, Indonesia\u2019s traditional shadow puppet theatre, to Christmas Island and the Cocos (Keeling) Islands this October, reconnecting Australian communities with an art form once embedded in its cultural life.<\/strong><\/p>\n\n\n\n<p>Sumardi will perform as part of Christmas Island\u2019s Territory Week celebrations in early October, ahead of his Cocos and mainland Australian tour with Australian cultural enterprise Cultural Infusion.<\/p>\n\n\n\n<p><strong>A tradition returns to Cocos<\/strong><\/p>\n\n\n\n<p>Cultural representatives from Cocos approached Cultural Infusion seeking an opportunity to reconnect the community with Wayang Kulit. For Cocos, the visit carries particular significance. According to local historical records, dalang Nek Ichang brought a collection of Wayang Kulit puppets from Java to Cocos in 1920. Around 65 puppets remain in the Pulu Cocos Museum.<\/p>\n\n\n\n<p>More than 75 years later, Sumardi will bring Wayang Kulit back to the island.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-cover\"><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1247\" class=\"wp-block-cover__image-background wp-image-29452 size-full\" alt=\"\" src=\"https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_02_Wayang_Kulit_performance.jpg\" data-object-fit=\"cover\" srcset=\"https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_02_Wayang_Kulit_performance.jpg 2000w, https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_02_Wayang_Kulit_performance-300x187.jpg 300w, https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_02_Wayang_Kulit_performance-1024x638.jpg 1024w, https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_02_Wayang_Kulit_performance-768x479.jpg 768w, https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_02_Wayang_Kulit_performance-1536x958.jpg 1536w, https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_02_Wayang_Kulit_performance-80x50.jpg 80w, https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_02_Wayang_Kulit_performance-650x405.jpg 650w, https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_02_Wayang_Kulit_performance-1000x624.jpg 1000w, https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_02_Wayang_Kulit_performance-50x31.jpg 50w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim\"><\/span><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<blockquote class=\"wp-block-quote is-style-plain is-layout-flow wp-block-quote-is-layout-flow\"><\/blockquote>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary><\/summary>\n<p class=\"has-medium-font-size\">Wayang Kulit performance<br>Master dalang Sumardi performs Wayang Kulit, the traditional Indonesian art of<br>shadow puppetry, using intricately crafted leather puppets, character voices and live<br>music.<br>Credit: Cultural Infusion<\/p>\n<\/details>\n<\/div><\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-cover\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" class=\"wp-block-cover__image-background wp-image-29456\" alt=\"\" src=\"https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_05_Sumardi_with_puppets-1-1024x768.jpeg\" style=\"object-position:53% 7%\" data-object-fit=\"cover\" data-object-position=\"53% 7%\" srcset=\"https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_05_Sumardi_with_puppets-1-1024x768.jpeg 1024w, https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_05_Sumardi_with_puppets-1-300x225.jpeg 300w, https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_05_Sumardi_with_puppets-1-768x576.jpeg 768w, https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_05_Sumardi_with_puppets-1-1536x1152.jpeg 1536w, https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_05_Sumardi_with_puppets-1-67x50.jpeg 67w, https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_05_Sumardi_with_puppets-1-650x488.jpeg 650w, https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_05_Sumardi_with_puppets-1-1000x750.jpeg 1000w, https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_05_Sumardi_with_puppets-1-50x38.jpeg 50w, https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_05_Sumardi_with_puppets-1.jpeg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim\"><\/span><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary><\/summary>\n<p class=\"has-text-align-center has-medium-font-size\">Sumardi with puppets<br>Master puppeteer Sumardi with traditional Indonesian Wayang puppets. Sumardi began studying the art form at age 11 and undertook nine years of training to become a master puppeteer.<br>Credit: Cultural Infusion<\/p>\n<\/details>\n<\/div><\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-cover\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"771\" class=\"wp-block-cover__image-background wp-image-29457\" alt=\"\" src=\"https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_04_Wayang_Kancil-1024x771.jpg\" style=\"object-position:54% 70%\" data-object-fit=\"cover\" data-object-position=\"54% 70%\" srcset=\"https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_04_Wayang_Kancil-1024x771.jpg 1024w, https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_04_Wayang_Kancil-300x226.jpg 300w, https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_04_Wayang_Kancil-768x578.jpg 768w, https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_04_Wayang_Kancil-1536x1157.jpg 1536w, https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_04_Wayang_Kancil-66x50.jpg 66w, https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_04_Wayang_Kancil-650x489.jpg 650w, https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_04_Wayang_Kancil-1000x753.jpg 1000w, https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_04_Wayang_Kancil-50x38.jpg 50w, https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_04_Wayang_Kancil.jpg 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim\"><\/span><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary><\/summary>\n<p class=\"has-text-align-center has-medium-font-size\">Wayang Kancil<br>Sumardi presents Wayang Kancil, an animal-puppet storytelling program introducing younger audiences to Indonesian puppetry and culture.<br>Credit: Cultural Infusion<\/p>\n<\/details>\n<\/div><\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-cover\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" class=\"wp-block-cover__image-background wp-image-29455\" alt=\"\" src=\"https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_03_Wayang_Kulit_behind_the_screen-1-1024x683.jpg\" style=\"object-position:51% 67%\" data-object-fit=\"cover\" data-object-position=\"51% 67%\" srcset=\"https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_03_Wayang_Kulit_behind_the_screen-1-1024x683.jpg 1024w, https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_03_Wayang_Kulit_behind_the_screen-1-300x200.jpg 300w, https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_03_Wayang_Kulit_behind_the_screen-1-768x512.jpg 768w, https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_03_Wayang_Kulit_behind_the_screen-1-391x260.jpg 391w, https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_03_Wayang_Kulit_behind_the_screen-1-1536x1024.jpg 1536w, https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_03_Wayang_Kulit_behind_the_screen-1-2048x1365.jpg 2048w, https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_03_Wayang_Kulit_behind_the_screen-1-75x50.jpg 75w, https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_03_Wayang_Kulit_behind_the_screen-1-650x433.jpg 650w, https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_03_Wayang_Kulit_behind_the_screen-1-1000x667.jpg 1000w, https:\/\/aiya.org.au\/wp-content\/uploads\/2026\/10\/Sumardi_03_Wayang_Kulit_behind_the_screen-1-50x33.jpg 50w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim\"><\/span><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary><\/summary>\n<p class=\"has-text-align-center has-medium-font-size\">Wayang Kulit behind the screen<br>Sumardi manipulates traditional Wayang Kulit puppets behind the illuminated screen, where audiences can see the techniques used to create the shadow performance. Credit: Cultural Infusion<\/p>\n<\/details>\n<\/div><\/div>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>Wayang as living cultural heritage<\/strong><\/p>\n\n\n\n<p>Born in Central Java, Sumardi undertook nine years of intensive training to become a dalang (master puppeteer). He has worked with Cultural Infusion since 2006.&nbsp;<\/p>\n\n\n\n<p>Sumardi\u2019s 50-minute <em>Wayang Kulit<\/em> performance uses intricately crafted leather puppets behind an illuminated screen, with Sumardi performing multiple characters and guiding audiences through stories drawn from traditions including the <em>Mahabharata<\/em> and <em>Ramayana<\/em>. Wayang was inscribed on UNESCO\u2019s Representative List of the Intangible Cultural Heritage of Humanity in 2008.&nbsp;<\/p>\n\n\n\n<p>Cultural Infusion Founder and CEO Peter Mousaferiadis said the visit illustrates why cultural practices need opportunities to be experienced.<\/p>\n\n\n\n<p>\u2018Cultural traditions live through the people who practise and share them. Sumardi carries knowledge developed across generations, and when audiences encounter Wayang through a master practitioner, they are engaging with much more than a performance.\u2019<\/p>\n\n\n\n<p>\u2018This is particularly powerful on Cocos, where Wayang Kulit forms part of the community\u2019s own history. Creating opportunities for cultures to be seen, understood and valued helps protect cultural diversity and builds greater understanding between communities.\u2019<\/p>\n\n\n\n<p>Since 2002, Cultural Infusion has worked with specialised cultural educators to promote intercultural understanding through direct cultural experiences, reaching more than 400,000 students in 2025. Its broader work includes advocating internationally for the protection and promotion of cultural diversity, including through civil society engagement with UNESCO.&nbsp;<\/p>\n\n\n\n<p><strong>From the islands to mainland Australia<\/strong><\/p>\n\n\n\n<p>Sumardi will tour Western Australia, South Australia, Victoria and New South Wales throughout October and November, presenting <em>Wayang Kulit<\/em> alongside <em>Wayang Kancil<\/em>, a 40-minute animal-puppetry program designed for younger audiences.<\/p>\n\n\n\n<p>On Cocos, the puppets have preserved the memory of Wayang Kulit for more than a century. This October, the cultural knowledge they represent will once again be shared as something living. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Indonesian master puppeteer Sumardi will bring the UNESCO-inscribed tradition of Wayang, Indonesia\u2019s traditional shadow puppet theatre, to Christmas Island and the Cocos (Keeling) Islands this October, reconnecting Australian communities with [&hellip;]<\/p>\n<p><a href=\"https:\/\/aiya.org.au\/id\/2026\/10\/06\/unesco-recognised-wayang-kulit-returns-to-australias-cocos-islands-after-more-than-75-years\/\" class=\"more-link style1-button\">Read More<\/a><\/p>","protected":false},"author":33,"featured_media":29451,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[508,16770],"tags":[11377,2614,2991,16712,16790,16789,2549,3063,16788,16787],"class_list":["post-29450","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","category-education","tag-aiyablog","tag-australia","tag-australiaindonesia","tag-budaya","tag-christmasisland","tag-cocosisland","tag-culture","tag-indonesia","tag-unesco","tag-wayangkulit"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"id","enabled_languages":["au","id"],"languages":{"au":{"title":true,"content":true,"excerpt":false},"id":{"title":false,"content":false,"excerpt":false}}},"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/aiya.org.au\/id\/wp-json\/wp\/v2\/posts\/29450","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aiya.org.au\/id\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aiya.org.au\/id\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aiya.org.au\/id\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/aiya.org.au\/id\/wp-json\/wp\/v2\/comments?post=29450"}],"version-history":[{"count":4,"href":"https:\/\/aiya.org.au\/id\/wp-json\/wp\/v2\/posts\/29450\/revisions"}],"predecessor-version":[{"id":29461,"href":"https:\/\/aiya.org.au\/id\/wp-json\/wp\/v2\/posts\/29450\/revisions\/29461"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aiya.org.au\/id\/wp-json\/wp\/v2\/media\/29451"}],"wp:attachment":[{"href":"https:\/\/aiya.org.au\/id\/wp-json\/wp\/v2\/media?parent=29450"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aiya.org.au\/id\/wp-json\/wp\/v2\/categories?post=29450"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aiya.org.au\/id\/wp-json\/wp\/v2\/tags?post=29450"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}