AIYA member Jane Ahlstrand has a prolific record of Indonesia engagement. From performing and teaching Balinese dance to appearing on Indonesian television, she has been an avid advocate of cultural engagement and shows no signs of stopping. (She’s even authored a few articles for us at the Blog!) Jane spoke to AIYA about her fascinating experiences in the Australia-Indonesia space.

What brought you to engage with Indonesia? What do you enjoy most about the country?

Jane at the IndOz Festival in Brisbane.

Although my primary school offered me my first exposure to Indonesia through weekly Indonesian classes, only through actual direct contact with Indonesia did I come to recognise its true appeal. That moment of realisation happened when I was 16 back in 1998. My family saved up for our first trip overseas to Bali. It was definitely a big deal for us back then.

When we arrived in Bali and breathed in the balmy, tropical night air, I was just blown away by how different and beautiful Bali was. Coming from a tiny country town meant that I had very limited exposure to other cultures so a trip to Bali really opened my eyes. I also realised that the bits and pieces of Indonesian I had learned in primary school were in fact useful and worth cultivating.

Oh, and I had the chance to see Balinese dance for the first time. I was just riveted by the dancers’ wonderful expressions, movements and costumes. At the time, I only saw myself as a foreign tourist but did have a small hope that I would step out of that box one day and truly get to know Bali.

After that, I was motivated to study Indonesian at university. At uni, I made lots of Indonesian friends, most of whom happened to be Chinese Indonesians at the time because they fled the violence of 1998. For me, it was really interesting but also saddening to hear their stories of life in Indonesia as a minority. I also made a trip back to Indonesia in 2001 and travelled across Java by bus, train, taxi, motorbike, becak and bajaj. I felt so alive! I have a clear memory sitting on the back of a motorbike riding through the electric green rice fields outside of Jogja and being overwhelmed by happiness. By then, my Indonesian was much better and I was able to interact freely with the locals.

After graduating, sadly, work took me in a different direction. I ended up living in Korea and studying Korean for a while. I also worked with the Queensland Government developing the International Student Program and my Korean language skills were put to the test there. After a while, Indonesia called my name. Especially Bali. I investigated some options for returning to Indonesia.

Since 2011, my life has been Indonesia-focused.

How did you come to perform Balinese dance? What’s the best part?

In 2011 I enrolled in the Darmasiswa culture and arts scholarship program offered by the Indonesian Ministry of Education and Culture. I studied Balinese dance at the Indonesian Institute of Arts in Denpasar, Bali. My Indonesian language skills really helped me in making friends and understanding the dance.

Even though my stiff bule body did not want to cooperate much at first. Since then, I was determined to master this ridiculously difficult art form. Learning it as a foreigner and an adult certainly made it a challenge. Most Balinese learn it from when they are very young and their bodies move naturally into the right position. For me, I had to force it until it also became natural.


The best part is actually the build up to the performance. All the hard work and practice along with the big expectations for the event. The event itself is always a challenge because I have to do the makeup and costuming, usually not only for myself but for my students. I love teaching and sharing the love of dance but it takes many years to master its various aspects of the dance, including the intricacies of the costume and makeup. I feel a lot of pressure to get things done on time. It takes over an hour to do the costume and makeup for one person. Some nights before a big performance, I can’t sleep because I worry about all the things I have to do the next day.

Tell us about your NAILA experience in 2015?

I was so thrilled to win the Wildcard category for NAILA. I think because I picked Balinese dance as my topic, I just had to do a good job. My speech was almost like a performance and I was very passionate about sharing my knowledge of Balinese dance with the audience. Thankfully, other people appreciated it. I memorised the speech and when I delivered it on the night of the event, it was almost like an out of body experience for me. That night, I was too excited to go to sleep afterwards. What a rush! I am so thankful to the team at NAILA for putting together such a fantastic event and giving us the chance to put our language skills to the test.

How about CAUSINDY 2016?

CAUSINDY was great. It was held in Bali so that was a real bonus! I suppose I was selected because of my identity as a budayawan. Many of the other participants came from professional backgrounds and I must admit, I felt a bit odd and lacked self-confidence. Nevertheless, at the conference we were given the task of developing a potential project that would help strengthen the bilateral relationship and that’s when I felt I could offer something useful.

I was placed in a group of others who also recognised the value of cultural engagement. We came up with the idea of a website that showcases engagement between our two nations through the arts while also giving artists a voice and the recognition they deserve. We all agreed that the arts sometimes gets overlooked and undervalued when in fact it is a fantastic resource for building friendship and communicating ideas.


What is JembARTan?

So, JembARTan is the name of the blog that was launched following the conference. My friend John Cheong Holdaway (NAILA winner and CAUSINDY delegate) came up with the beautiful name. He is really clever. He also set up a basic WordPress blog. Then I just started writing. I have quite a few friends who are active in the arts, so it wasn’t too hard to find some interesting subjects for the blog. After a while, I had written quite a few posts and then JembARTan sort of just ended up becoming my pet project. I started writing mainly in Indonesian, and the articles were then published by ABC Australia Plus Indonesia as well as several leading Indonesian news media outlets. I was quite satisfied to know that my Indonesian writing skills were good enough to make it into the local Indonesian media.

Then, the team at CAUSINDY showed their interest in developing JembARTan further. We now have funding from telkomtelstra (a joint Indonesian-Australian telecommunications company) to create a spiffy new website and also engage in more interviews with cool artists. I also have a new member, Freya Gaunt, who is helping me to write new articles and expand JembARTan.

Where do you see the Australia-Indonesia relationship heading in the future?

I’m really depressed about the low level of enrolment in Indonesian language subjects at the high school and tertiary level. It’s honestly shocking and worrying. I really wish that universities would do more to encourage student interest in the program rather than just letting it die off. I know that universities are profit-driven but they also have a broader duty as educational institutions to contribute to Australia’s role in the Asia-Pacific region.

What’s your next move?

I have to finish my PhD! I am actually getting really close to my deadline and things are looking very precarious for me at the moment. It was my dream to become an academic, but I feel that I might be more interested in a more exciting life, particularly in the media. I have done a bit of television work with NET.TV Indonesia, and it really gives me a rush to participate in news production. I am also trying to learn to sing so I can pursue a career as a dangdut singer and tour around Indonesia. Hahaha. Just kidding (?).

A big thanks to Jane for her time and her support of the Australia-Indonesia cultural canvas. Read all of her submissions for the AIYA Blog here.